Sunday, March 18, 2007

Gossip or Critical Debate?

Recently I was at a panel about literary gossip, and one of the examples brought up was l'affaire Freudenberger, about a young short story writer working at the New Yorker who managed to publish a story in the magazine, and then earn a six-figure contract for an as-then unwritten story collection. The scandal? That Freudenberger's work wasn't really all that good.

Sure, a lot of the sniping in that case was motivated by jealousy. But some of it was also motivated by genuine distaste for Freudenberger's style. Isn't that allowed? Which leads to my question, is a discussion of the merits of a writer's work just jealous gossip, or is it a discussion worth having? Especially in public?

Writers can be quite frank with each other about whose work they admire and whose stinks. But always with the stipulation (often not necessary to spell out explicity) that their opinions are not meant to be shared with others, particularly not in print.

Indeed, writers will often decline to review a book they've read and hated rather than write a slam review. I won't do it because books get so little attention these days that it seems pointless to point out the flaws of a work that probably won't sell more than five thousand copies anyway. But I know a number of writers who feel writing a completely negative review is bad karma, that it could earn them an enemy for life, and for what? The hundred dollars they might be paid for writing the thing?

Still, there are so many books out there that get praised for the wrong reasons while others get overlooked, it seems like a discussion of what deserves praise and what doesn't isn't just "snarky" gossip between friends. Debating the merits of different books is an important, even necessary part of literary life. It reminds that there are literary standards and what they are supposed to be about. As long as the discussion is about aesthetic merit, not book advances or top ten lists or other silly and reductive nonsense. I think it is also helpful to bear in mind the context of the work you're talking about. If it's a book from a tiny press that put it out as labor of love and that few people are going to notice anyway, is it necessary to pile on by slamming it? If it's a book that's made a big splash, is it necessary to snipe out of resentment?

My feeling is taking down a book, even in public, isn't necessarily bad form. The question is can you do it to make a larger and necessary point about literature in general?

1 comment:

Stephen said...

I take more pleasure in trying to make a case for a book than in smashing one, but I don't think that a negative evaluation of a book is "gossip"--though it may be gossiped about if it is of a book by someone perceived as a competitor.